We head towards Corso Vittorio Emanuele crossing through the imposing
Porta Nuova with its four carytids representing four Moors, symbol of Charles V's African victories. We find ourselves at the halfway mark of the Cassaro (from the Arabic "al-qasr" or castle) the long axis that was extended in the 16th century, linking Monreale to the sea: to the right stretches the ample park of Villa Bonanno while to the left rises the beautiful
Palazzo Arcivescovile. Right after the palace the road widens and presents us with the
Cathedral, which was at one time connected to Royal Palace by a covered road. The cathedral is one of the most original churches in Palermo for the unique overlapping of styles, the result of Arab, Norman, Baroque and Neoclassical influences over the centuries. It preserves the remains of several kings on its interior, including Frederick II's. Continuing along towards Via Matteo Bonello, you will note the
Loggiato dell'Incoronazione, used for the coronation ceremony of the Kings of Sicily. To the left, on Via Papireto, you will find
Palermo's flea market, which abounds with curios, old furniture and some antiques. We return to Corso Vittorio Emanuele, stopping for a moment at the
Isola Saporita, a food and wine shop selling the best that Sicily has to offer. We continue along the avenue lined with Baroque palazzos, until we reach
Quattro Canti, where Corso Vittorio Emanuele crosses Via Maqueda. The four buildings represent the four areas into which the city was divided during the period of Spanish domination. The first building we see to the right is the
Church of S. Giuseppe dei Teatini, an important example of the Baroque in Palermo.Leaving the church, we turn right onto Via Maqueda, which immediately opens onto the Piazza Pretoria with the beautiful
Pretoria Fountain, which the people of Palermo define as "della vergogna" (shameful) because of its nude statues. The square also contains the
Palazzo Pretorio, the seat of City Hall and the Church of Santa Caterina.